![]() ![]() Ajeeb Dastan Hain Ye, Dil Apna Aur Preet Parayi (1960)īetrayal and blessings infuse Lata Mangeshkar’s crushing expression of heartbreak. Its poetic sting continues to inspire scenes, scripts and covers. Pyar Kiya Toh Darna Kya, Mughal-E-Azam (1960) Though nothing quite like the original.ġ4. When the voice of serenity becomes the voice of defiance, the message is loud and clear. Neither Madhubala nor Lata Mangeshkar miss a beat.Ĭhampions of classical world unite to craft this soaring, stirring composition gracing the opening credits of Hrishikesh Mukherji’s compelling Anuradha. ![]() Kahin Deep Jale Kahin Dil, Bees Saal Baad (1962) Lata Mangeshkar’s wispy delivery of Shailendra’s moving verse in this Salil Chowdhary penned parable evokes awe.Ģ1. Raat Bhi Hai Kuch Bheegi Bheegi, Mujhe Jeene Do (1963) Lata Mangeshkar’s anxiety in Kahin Deep Jale Kahin Dil hasn’t stopped haunting listeners since 1962.Ģ2. Oomph and seduction trickle from every corner of this tantalising mujra powered by Lata Mangeshkar’s cham-cham cham-cham. Khuda-E-Bartar Teri Zameen, Taj Mahal (1963) The magnificent combination of SD, Gulzar and Lata blossoms in the tender aspirations of Mora Gora Ang.Ģ4. ![]() Woh Jo Milte The Kabhi Humse, Akeli Mat Jaiyo (1963) The historical romance of Taj Mahal is immortalised in Lata Mangeshkar’s acknowledgement but it’s her distress at man’s lust for war in Khuda-E-Bartar that hits the right chord.Ģ5. Trust Lata to pull at the heartstrings like only she can while conveying her disappointment over a soured romance in Akeli Mat Jaiyo. Lata Mangeshkar’s delicate appeals against Madan Mohan’s fine creation evoke a haunting sensuality. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |